I was a bit out of spirits when I arrived in Thessaloniki. I had been robbed in Athens the previous day. Foolish of me. Eleni had issued stern warnings about taking good care of my things. But sitting on a rock near the Acropolis, reading a book, I did not pay attention. I didn’t realise anyone was near me. I didn’t hear anyone. But of course, thieves are quiet. My bag was gone: passport; money; cameras; ipod touch. Arriving in Thessaloniki, I was not yet over the trauma. And it was raining; miserable, grey. And the gyro I ate that first evening was a disappointment. They put mustard and ketchup on it! Over the next few days I realised this was normal in Thessaloniki. Back in Athens a few days later, I grabbed some gyro before boarding the ferry for Crete. I asked the waiter not to add mustard and ketchup. He looked puzzled. No, we put tzatziki. With mustard and ketchup is not Greek. In Thessaloniki they add mustard and ketchup, I told him. Ah well, maybe in Thessaloniki, he said, as if anything were possible there, but it is not Greek.
I forced myself out into the drizzly morning, more out of stoical determination than inclination. Perhaps I was not in the right frame of mind to give Thessaloniki its due. But actually I was not expecting a lot. I knew today’s Thessaloniki to be a big, modern city, with some ancient remains and a large number of medieval, Byzantine churches. I also knew that a once fine city, a thriving, multi-ethnic metropolis, a rich mosaic of overlapping cultures and multiple languages that had existed only a hundred years ago, was no more. For my arrival coincided with the hundredth anniversary of the arrival of the Greek army in Ottoman Salonika during the first Balkan War, in 1912.
Following the city’s incorporation into Greece, the Turks and Bulgarians had gone. And then the Jews, the huge Spanish Jewish population, whose forbears had been expelled from Spain in the 15th century, and that had at one time made up half the population. Those of them who did not leave after the end of Ottoman rule were destroyed in the Nazi holocaust. The departed populations had been replaced by hoards of Greeks expelled from Turkey as part of the population exchange (what a horrible sanitised description of the mass expulsions of populations from their homes) that followed Greece’s Asia Minor disaster after the First World War, its failure to carve out a new Byzantine Empire in Anatolia. Salonika, Selanik to the Turks, Solun to the Bulgarians and other Slavs, now reverted to its ancient name, Thessaloniki, and was a Greek city.
I had read the wonderful memoir by Leon Sciaky of his formative years in a Jewish merchant family, growing up in Salonika. Its title, Farewell to Salonica, not only reflected his own departure from his native city, when he emigrated to America, but a farewell to the city itself, to a civilization, a way of life that had been obliterated, never to return. Salonika had gone the same way as several other great multi-ethnic metropolises on the eastern Mediterranean and Black Sea seaboards: Alexandria; Smyrna; Trieste; Odessa; Constantinople, that had not survived the onset of the nation state in the twentieth century, with its intolerance of all that was other, all that did not conform with the homogenising national idea.
Sciaky’s beautiful book evokes a bygone era through the life of a close-knit family. Walks with his grandfather; the little world of the living room where the family would gather in the evenings, sitting on the divans, and where neighbours would visit; the streets around their home, with their tradesmen and beggars; the office of the family business, and the characters, merchants, farmers, Jews, Turks, Bulgarians, who would visit, smoke, drink coffee and while away their time; his days at school, and his contacts with pupils from other ethnic groups; summers in the countryside with the Bulgarian and Turkish peasants so beloved of his grandfather, who bought their grain and took care of their worries.
It is a charming picture, but Sciaky was never naïve about the stresses facing this intricately woven multi-ethnic society, in which different peoples lived alongside one another, rubbed shoulders and greeted each other, but for the most part lived separate lives. His is a deeply personal account, but he was also a shrewd observer of the politics of his region. He was all too aware of the contrary aspirations of Turks, Bulgarians and Greeks for nationhood. And the Jews, who had by and large fared well in the tolerant atmosphere of the Ottoman Empire, for whom Salonika was their home, and who, unlike the Greeks or the Bulgarians, had no neighbouring national homeland. The battle for Salonika and for Macedonia would hugely impinge on their lives, yet the Jews could be hardly more than bystanders to the unfolding events.
It is clear that Sciaky, like his grandfather, loved the Bulgarian and Turkish farmers in Salonika’s hinterland with whom his family did business. He was all too aware of the heavy burden placed on the Bulgarian peasant: ‘The Turkish landowner, whose domain included whole villages, treated him as a conquered slave. He staggered under the load of iniquitous levies and burdensome taxes, and smarted under the insult of enforced labour. Time and again he abandoned his fields, put aside his plough and fled to the mountain fastnesses where he could be free.’ But while excoriating the cruelty of many of the Turkish beys, he wrote with warmth of the kindness of the Turkish peasants, and his appreciation of the Muslim obligation of hospitality towards guests, and the relative tolerance of the Ottoman, Muslim order, in comparison with Christian Europe.
Of the Greeks, Sciaky had less to say. He understood the resentment of the Bulgarian peasant towards his fellow Orthodox believers: ‘Toward the Greeks he nurtured a hatred as implacable as the one he bore towards the Turkish bey, his oppressor. Had not his Christian brothers tried to Hellenize him and his children? Had not the Orthodox Patriarch of Constantinople, under whose spiritual jurisdiction the Turks had placed him, sent him priests to conduct services in his church in a tongue he did not understand? Had they not burned his books and forbidden the teaching of his mother tongue in his own schools?’ Forced assimilation was the Greek policy towards other national groups even before the end of Ottoman rule.
For most of Sciaky’s happy childhood the clouds of doom were gathering over his fragile world. His telling of the multiple bomb attacks in Salonika in 1903 is poignant, seen through the eyes of a little boy. The attacks were carried out by a group of radical young Bulgarians on the fringe of the Internal Macedonian Revolutionary Organisation (VMRO), to which many of the Slavs in Ottoman Macedonia belonged. The young Sciaky was brought face to face with the terrible human consequences of the clash of nations in Macedonia, when, in the aftermath of the attacks, the frantic Bulgarian milkman hammered on their door, begging refuge from the indiscriminate Turkish reprisals against the Bulgarian population.
As a young man, Sciaky witnessed the tragedy of the Balkan Wars at close hand, when he went with his grandfather to visit Kilkish (Kukush), the small Bulgarian town to the north of Salonika where he had spent happy childhood summers. Sciaky’s grandfather knew the peasants of Kilkish and the surrounding area, and was deeply attached to them. Throughout his life he had bought their grain, he had helped them out through years of drought. His father had known their fathers and grandfathers. He felt protective towards them.
In the first Balkan War, in 1912, while the Bulgarians took most of the burden of driving the Ottoman forces out of the Balkans, Greece and Serbia divided up most of the spoils. Salonika was the greatest prize. When the Bulgarian army arrived the day after the Greeks, the Ottoman commander explained that he had only one Salonika, and he had already surrendered it. For several months two armies, Greek and Bulgarian, uneasy allies, co-existed in Salonika, glaring at each other, sometimes fighting each other. When the fraying alliance finally rent apart in 1913, and the Bulgarian army was driven away from Salonika, the Slav peasants fled northwards with them, leaving a denuded countryside, emptied of its inhabitants, many of the Turks having fled the previous year.
News of the fall of Kilkish to the Greek army, the end of the world he had known throughout his life, was a terrible blow to Sciaky’s grandfather. He had to go there, and his grandson went with him. They travelled through a largely deserted countryside, desolation all around. Kilkish itself had been burned.
In 1914, the Carnegie Endowment for International Peace published a report on The Causes and Conduct of the Balkan Wars, written by an International Commission made up of eminent figures from several European countries, as well as Russia and the United States. It was a seminal publication, which sought to establish accountability, and to document the excesses perpetrated on all sides.
In and around Kilkish, the defeat of the Ottomans in 1912 gave free reign to local Bulgarian bands, the comitadjis referred to by Sciaky, some of whose members he had met during an earlier stay in Kilkish. The Carnegie Report describes terrible atrocities against local Muslims, as well as against disbanded Ottoman troops who, having surrendered, were on their way to Turkish held territory. Hundreds of them were reportedly massacred in the Kilkish region. Men, women and children were murdered, some burned alive in their mosques. The band leader held most responsible for the massacres, a certain Donchev, was afterwards sentenced to death by VMRO for his crimes. VMRO, although its adherents were Slav, had called for an autonomous Macedonia for all Macedonians. The report was critical of the Bulgarian military authorities for not initially establishing control in the captured areas, leaving only small garrisons as they marched on to Salonika. But it acknowledged the later efforts of the Bulgarian army to restore order, end the excesses, punish the perpetrators, and gain the trust of local Muslims.
When Kilkish fell to the Greek army the following year, its Bulgarian population fled en-masse, as well as from the surrounding villages. As described in the Carnegie Report, the conquering Greeks set about methodically burning the town, as well as at least 40 Bulgarian villages in the surrounding area. The purpose was clear; this area was now Greek, and the Bulgarians would never be allowed to return. Those Bulgarians who were unable to flee, or who were too slow, were, in the words of the report, subjected to ‘indiscriminate butchery’ by the Greek army. One Greek cavalry unit was described as ‘slaughtering Bulgarian peasants at sight’, sparing neither women nor children. Amid the wanton killing, numerous rapes were also committed, the report noting that ‘the Greek troops gave themselves up openly and generally to a debauch of lust.’ In a Greek baggage train captured by the Bulgarians, letters home by Greek soldiers were discovered, which the commission members were satisfied were genuine. Some of them boasted of the wholesale slaughter, butchery, rape and torture they perpetrated against the Bulgarian population. The report concluded that ‘from Kukush to the Bulgarian frontier the Greek army devastated the villages, violated the women, and slaughtered the noncombatant men.’
When Sciaky and his grandfather arrived a short while later, there was almost no one left. His depiction of a meeting with a fleeing Bulgarian peasant they met on the road, leading a small child on a donkey, an individual example among hundreds of thousands, vividly portrays the horrible human cost of the war: ‘The misery, the look of dread and utter agony in the small blinking eyes of the pock-marked face with the yellow straggly beard were the very embodiment of human fear and despair. No, not human. It was the animal dread of cattle at the slaughterhouse, the wild glassy stare of terror in a cornered animal. It was a look which, once perceived, made one cringe with shame and humiliation, the shame of its having been in a human eye.’
So what of the modern Thessaloniki I had arrived in? Apart from the eradication of its once rich multicultural life, much of the old city was destroyed in a fire in 1917. A modern city rose in its place. Some districts survived, notably Ano Poli (the Upper Town), which rises up the hill, partially enclosed by surviving sections of the city walls, culminating at the Byzantine era fortress, the Heptapyrgion. Wandering through its narrow, stone-paved lanes, its little squares, and its numerous surviving Ottoman-era houses, most of them restored, it is the most charming part of Thessaloniki.
The city has numerous Byzantine churches, most of which survived Ottoman rule as they were converted to mosques. Having reverted to Christianity, many were severely damaged in the 1917 conflagration, but have been restored. The Hagios Demetrios basilica, named after the city’s patron saint, had to be completely rebuilt. Finest of all is Hagia Sofia basilica.
The White Tower, the emblem of the city, is perhaps a symbol of sorts of continuity with the Ottoman past. Standing by the seafront, this late-15th century construction once formed part of the city walls, demolished in the 19th century. In that century, it had been known as the Bloody Tower, or the Janissary Tower. In Ottoman times, Salonika had been a centre of the Janissaries, elite troops originally recruited from among the conquered Christian nations of the Balkans. But by the beginning of the 19th century, the once mighty Janissaries had grown slack and become an over-powerful interest group, and a brake on the Empire’s efforts to reform and create a modern, European-style army. In what was known as the ‘Auspicious Incident’, they were bloodily suppressed in 1826, thousands of them being massacred in Salonika. The name ‘White Tower’ originated in 1890, when it was whitewashed by a prisoner in exchange for his freedom. Nowadays, the tower houses a museum of the history of the city.
As well as the restored Byzantine churches, Thessaloniki contains several ancient archaeological sites, including the Roman forum, and the ruins of the palace of the Roman Emperor Galerius, with some well-preserved mosaic floors. Close-by the palace is the Arch built by Galerius to commemorate his victory over the Persians in 297 AD. And a little beyond that is the Rotonda, designed by the Romans as a mausoleum, later used as a church and then as a mosque. Unusually, its restored minaret still stands.
Surviving Ottoman-era buildings have not been as well cared for as the Byzantine churches. A century after the end of Ottoman rule, many of them are in a poor state of dilapidation and neglect. But that may now be changing, and restoration efforts might indicate that the city is coming to terms with a period in its history it had preferred to forget. Among the best preserved is the 15th century Bey Haman, the first Ottoman bath house built in the city. It was in use until the 1960s. Nearby is a many-domed covered market, the Bezesten. In Ottoman times, valuable goods were sold there, including fabrics and precious stones. Nowadays it houses jewellery shops. Across the road, the 15th century Hamza Bey mosque was one of the few purpose-built mosques in Salonika, most of them having been converted churches. When I visited, it was covered in scaffolding, undergoing restoration. A much better preserved mosque is the Alaja Imaret, which takes its name from the poorhouse that stood next door. Nowadays, it houses exhibitions, and when I was there it had an exhibition of artworks commemorating the Greek conquest of the city a hundred years earlier.
The centenary of the conquest was much in evidence during my stay. Greek flags festooned buildings throughout the city. The Greek army accepted the Ottoman surrender on 26 October, the feast day of St. Demetrios, the day of my arrival. Crowds queued patiently outside the basilica of the city’s patron, waiting their turn to kiss a holy icon, Greek flags hanging inside and out.
The exhibition in the Alaja Imaret was a feast of jingoism. Paintings showed the Ottoman surrender watched over approvingly by saints and angels, and by the Virgin Mary, with the infant Jesus on her knee. One showed a map of Greece, with different colours marking its gradual expansion, stage by stage from independence in 1832, with a saint overlooking. The paintings had no artistic merit, just crude, gaudy nationalistic pastiches. The placing of such an exhibition beneath the graceful dome of a 500-year old mosque appeared staggeringly inappropriate. I could not share the celebration of the city’s conquest, could not stomach this portrayal of a divinely ordained victory. As with so many celebrated military victories, the horrors described by the Carnegie report, and the terrible loss depicted by Sciaky could not but take the lustre off any notion of glory in the conquest of Salonika and the dismemberment of Macedonia.
One very well preserved Ottoman-era building is the house once lived in by Mustafa Kemal Ataturk, father of modern Turkey, and a native of Salonika. At the beginning of the 20th century Salonika spawned the nationalist Young Turk movement among the Ottoman military. The house is managed by the next-door Turkish consulate. Normally, it is possible to visit the house, which contains a small museum. But when I was there the building was being renovated. Surrounding the consulate and house is a high, tightly-meshed steel wall, testimony to the still fraught relations between the neighbouring countries. During my few days in the city, each time I walked past there was a bus load of Greek police outside. Whether this was a precaution during the centenary of the conquest of the city, or whether such a level of security was normal, I did not know.
Overall, I was depressed by Thessaloniki. Probably my bad mood after the robbery in Athens had not helped. Despite all the ancient and Byzantine monuments, the surfeit of UNESCO World Heritage sites, I found the city ugly. The destruction of the 1917 fire could not be helped, but what had risen in its place seemed unworthy. And not all the destruction can be blamed on the fire. Next to the Galerius Arch is a board with pictures showing it at different points in the city’s history. A lithograph from 1831 shows the arch passing over a street of typical Ottoman-style low-level buildings. Photographs from between the two world wars and from the 1950s show a still attractive scene, of a street with old, low buildings. The text beneath one of them describes how, in the 1950s and ’60s, the old buildings around the arch were demolished, to make way for the ‘regeneration’ of the district. Now, like most of the old monuments in the city centre, the arch sticks out like a forlorn memory of better days among the nondescript 1960s blocks that crowd around it. Regeneration? The city has been devastated by the ill-judged town-planning of the post-World war II era. Thessaloniki was the European City of Culture in 1997. Surely a cruel joke.
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